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The D1100 Digital Preamplifier is a reference level stereo preamplifier and digital-to-analog converter (DAC). Its 8-channel, 32-bit DAC is used in Quad Balanced mode with half of it dedicated to the left audio channel and the other half to the right channel. It’s the most advanced DAC McIntosh has ever used and delivers an unprecedented level of performance so that all digital music is reproduced with exceptional accuracy and authenticity. Nine inputs are included to keep even the largest digital system connected as 3 optical, 3 coaxial plus 1 each of MCT, AES/EBU and USB inputs are onboard. The USB input accepts up to 32-bit/384kHz signals and supports DSD64, DSD128, DSD256, DXD 352.8kHz and DXD 384kHz playback. All the other inputs accept up to 24-bit/192kHz. Three sets of balanced and unbalanced stereo outputs connect the D1100 to the rest of the audio system.
McIntosh MP1100 Phono Preamplifier MSRP $8.000
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The MP1100 Phono Preamplifier will give vinyl lovers a new level of musical enjoyment and exhilaration. It’s filled to the brim with everything needed to not only play records, but it will also get every last musical note and nuance out of them – including some that may have never been heard before. The MP1100 is designed first and foremost for analog audio and achieves our most accurate equalization ever. It utilizes four 12AX7A vacuum tubes, with 2 tubes used per channel in a fully balanced configuration – making it our very first fully balanced vacuum tube phono stage. It has 3 sets of RCA phono inputs with XLR connectors also available on 1 of the inputs. All phono inputs allow for adjusting both resistance (6 settings) and capacitance (8 settings). For ease of use, it comes pre-programmed with profiles for Moving Coil and Moving Magnet cartridges as well as the McIntosh MT10 and MT5 turntables. Five additional profiles are included that are fully customizable and can be assigned to any phono input. RIAA, LP, NAB, AES and 78 analog equalization curves are included. Two fairly rare but highly useful analog filters are built-in: a Rumble Filter helps remove noise that may have seeped into a song during the recording process; while a Scratch Filter can help restore the sound of frequently-played records that may have become a little worn, or records that may have some damage. Adjustable gain from 40dB to 64dB allows for further customization, while a Mono setting permits proper playback of mono recordings. In addition, there’s a pair each of balanced and unbalanced high level inputs for connecting other sources. A pair each of balanced and unbalanced fixed outputs round out the connections. Not to completely overlook digital audio, the MP1100 has an optical, coaxial and USB output. They are fixed at 24-bits and can be set to either 96kHz or 192kHz. When used with a properly configured conversion program, the USB output can be used to “rip” albums to a computer.
Genesis Maestro loudspeakers 5 Way design two Genesis Ring-Radiator Ribbon Tweeters (front and back) one 4.5-inch solid Titanium-cone midrange driver two 6.5-inch aluminum mid-bass couplers four 8-inch woofers with 500W servo-controlled bass amplifier MSRP $30.000 + taxes in the US
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Audionet Stern Preamplifier Designed by Hartmut Esslinger (Apple) DC coupled Galvanic separation of all analog circuits by opto couplers Magnetically and capactively optimized circuit and device design without any ferro-magnetic material Four encapsulated and decoupled 50 VA toroid transformers 176.000 μF of total filtering capacitance MSRP to be announced @ CES
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DS Audio DS 002 Optical phono cartridge system Aluminum cantilever - Shibata tip
Whereas MM & MC cartridges rely on magnets and coils to generate the electrical signal, the Optical cartridge uses a beam of light to detect cantilever movement, making the cartridge much lighter, and more agile. This also removes the magnetic field inside the cartridge caused by the coils & magnets in conventional cartridge designs, and it’s subsequent influence on cantilever movement.